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The story of Nativity Scenes
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The Portuguese Presepio
The tradition of the Presepio in Portugal has remote roots: representations of the Nativity were found in bas-relief on sarcophagi in the 1400, as well as in miniature bibles of the same era. However the plastic Portuguese Presepio reached maximum diffusion and highest artistic results only in the second half of the 18th century thanks to the creative genius of an Italian, Alessandro Giusti, who founded the Mafra school of barro (clay), transmitting this technique to his pupils and those who followed. Famous, among Portuguese Nativity Scenes, the ones found in Lisbon in the Cathedral and in the Museum of Ancient Art, as well as the monumental Presepio in the Estreal Basilica superior to any other in size and number of personages (more than five hundred) a masterpiece of Machado de Castro.
Most popular in Portugal, the living Presepio and Presepio in the home. On Christmas Eve before the consoada (vigil supper), the Presepio is unveiled and a large trunk of wood is placed in the hearth to burn night and day through to the Epiphany as protection from harm. The charcoal remains of the Christmas fire blessed by the Holy Child, are kept and burned during the year in times of danger to ensure protection.
 
 

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