portal congregation p.m.s. urban college urban web site fides holy see
testata banner mongolia
 
 HOME ITALIANO ESPAÑOL ENGLISH FRANÇAIS PORTUGUÉS DEUTSCH CHINESE
Gospel
Saints
Papal Teaching
Congregation
Pontifical Mission Societies
Urban University
Mission texts
Animation
Statistics
From the Holy See
Testimonies
Martyrology
Jubilee 2000
Church life
Missionaries
Religious institutes
Movements & Associations
Catholic universities
Culture
History
Art
Cinema / Photo
Radio & tv
Music
Poetry
Health
Technology
Geography
News 360°
Dossier
In-depth study
Interviews
Stories
Book review
Children’s corner

Fides News
Fides News 2004
Fides News 2003
The story of Nativity Scenes
How it all began
Saint Francis of Assisi
14th century tradition
The Council of Trent
From Baroque to our day
National Nativity Scene traditions
Italy
England
Portugal
Spain
Provence
Germany
Eastern Europe
Around the world
"…Mary gave birth to her firstborn son and wrapped him in swaddling clothes and laid him in a manger, because there was no room for them in the place where travellers lodged."

According to St Luke the Evangelist (2,7) Jesus was born in a stable or at least in a place where animals were kept. In fact the word presepio (Nativity Scene) comes from the Latin verb praesepire (to enclose, to hedge, to fence) and today it means manger or crib.
The term is thought to have been used for the first time with regard to St Mary Major's Basilica on the Esquiline Hill in Rome, known since the 7th century as "Sancta Maria ad praesepe" because according to tradition it was here the that the relics of the Cradle of Jesus were brought.
The Low Latin word cripia, meaning manger, was the origin of the terms creche, crib, krippe, krubba, szopka and wertep meaning Nativity Scene respectively in French, English, German and Swedish, Polish and Russian.
An encyclopaedia describes the Presepio as a three dimensional representation of the birth of Jesus Christ, composed of mobile figures arranged according to the artistic sense of the builder as well as realistic elements such as houses, rocks, plants etc, which is prepared for Christmas and removed by the 2nd February. As such the Presepio is closely related to the theatre because it intends to render an event remote in time and space present and real by means of fiction of a spectacular nature and at the same time, like the theatre, it cannot be separated from the scenery: in fact without scenery around the figures representing the holy event, you have a model of the Nativity but not a Presepio.
With time the tradition of the Presepio evolved in various phases. It was first found in churches, and this was the ecclesiastical period. The figures at first painted and then carved, were placed at side altars and chapels specially reserved for the Presepio, and during the Christmas Season the Presepio was decorated with lights and flowers.
Later came the aristocratic period in which the tradition of a Presepio in the home became popular among the nobility and Nativity Scenes were ever richer and more pretentious, but also highly artistic. This tradition gradually extended to all the social classes acquiring an typically popular character which it retained.
 
 

Palazzo "de Propaganda Fide" - 00120 - Città del Vaticano Tel. +39-06-69880115 - Fax. +39-06-69880107 - e-mail: fides@fides.va © AGENZIA FIDES